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David Shrigley: The Art of the Doodle - Slide Show - NYTimes.com

In February, London’s Hayward Gallery will mount a major survey of his work. To stuff the show with new art, he says, he had to trick himself into thinking he wasn’t actually making art at all.

In a spiral notebook, he jotted down 180 ideas for 180 pieces. Most consist of a few purposely cryptic words, intended as jumping- off points. No. 116 is ‘‘sea monster smiling’’; others are equally open-ended: ‘‘sword fight,’’ ‘‘dog on its hind legs,’’ ‘‘William Shakespeare.’’ ‘‘I try not to think too hard about what I’m doing,’’ Shrigley says. ‘‘I’m just crossing things off a list and fi lling a page, and the work gets made as a byproduct of that task.’’

…The overall effect is like discovering the sketchbook of a boy who taught himself to draw while locked in a basement. ‘‘I’m not trying to draw badly,’’ says Shrigley, who graduated from the Glasgow School of Art. ‘‘I’m just trying to draw without any consideration of craft.’’

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